The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteriesLévi, Éliphas
Religion
The history of magic : $b including a clear and precise exposition of its procedure, its rites and its mysteries
Lévi, Éliphas
Magic -- History
Pantheism can never form a synthesis, but must be disintegrated by
the sciences, which the daughters of Cadmus typify. After Orpheus,
Cadmus, Œdipus and Amphiaraüs, the great fabulous symbols of magical
priesthood in Greece are Tiresias and Calchas; but the first of these
was an undiscerning or faithless hierophant. Meeting on a day with two
interlaced serpents, he thought that they were fighting and separated
them by a stroke of his wand. He did not understand the emblem of the
caduceus, and hence sought to divide the forces of Nature, to separate
science from faith, intelligence from love, man from woman. He mistook
their union for warfare, wounded them in the act of separation, and
so lost his own equilibrium. He became alternately male and female,
but neither in a perfect way, for the consummation of marriage was
forbidden him.[109] The mysteries of universal equilibrium and creative
law are revealed fully herein. Generation is in fact a work of the
human androgyne; in their division man and woman remain sterile, as
religion without science and conversely, as mildness without force and
force apart from mildness, justice in the absence of mercy and mercy
divorced from justice. Harmony results from the analogy of things in
opposition; they must be distinguished with a view to unite them and
not separated, so that we may choose between them. It is said that
man shifts incessantly from black to white in his opinions and ever
deceives himself. It is so of necessity, for visible and real form is
black and white; it manifests itself by an alliance of light and shadow
which does not confuse them together. So are all contraries in Nature
married, and he who would part them risks the punishment of Tiresias.
Others say that he was smitten with blindness because he had surprised
Minerva naked—that is to say, he had profaned the Mysteries. This is
another allegory, but it is always the same thing symbolised.
Bearing no doubt this profanation in mind, Homer depicts the shade
of Tiresias wandering in Cymmerian darkness and seeking amidst other
hapless shades and larvæ to quench his thirst with blood when Ulysses
consulted spirits, using a ceremonial which was magical and terrific
after another manner than the contortions of our own mediums, or the
harmless precipitated missives of our modern necromancers.
Public-domain text, read in full here on John Shaqi.
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