The History of Mary I, Queen of England: as found in the public records, despatches of ambassadors, in original private letters, and other contemporary documentsStone, J. M. (Jean Mary)
History
The History of Mary I, Queen of England: as found in the public records, despatches of ambassadors, in original private letters, and other contemporary documents
Stone, J. M. (Jean Mary)
Great Britain -- History -- Tudors, 1485-1603; Mary I, Queen of England, 1516-1558
although the King her brother, and his Council, prohibited her from
having the Mass celebrated according to the Roman Catholic ritual, she
nevertheless had it performed in secret, nor did she ever choose by
any act to assent to any other form of religion, her belief in that in
which she was born being so strong, that had the opportunity offered,
she would have displayed it at the stake, her hope being in God alone,
so that she constantly exclaims, ‘_In te Domine confido, non confundar
in eternam! Si Deus est pro nobis, quis contra nos?_’ Her Majesty
takes pleasure in playing on the lute and spinet, and is a very good
performer on both instruments, and indeed before her accession, she
taught many of her maids of honour. But she seems to delight above all
in arraying herself elegantly and magnificently, and her garments are
of two sorts; the one a gown such as men wear, but fitting very close,
with an under petticoat which has a very long train; and this is her
ordinary costume, being also that of the gentlewomen of England. The
other garment is a gown and boddice with wide hanging sleeves in the
French fashion, which she wears on State occasions, and she also wears
much embroidery, and gowns and mantles of cloth of gold, and cloth of
silver of great value, and changes every day. She also makes great use
of jewels, wearing them both on her chaperon, and round her neck, and
as trimming for her gowns, in which jewels she delights greatly, and
although she has a great plenty of them left her by her predecessors,
yet were she better supplied with money than she is, she would
doubtless buy more.”[450]
[Illustration: Philippe II.
From the original portrait by Adrian van der Werff.
_Marie eut dans mon cœur une part bien legere,
Ma seule ambition m’en fit faire le choix:
Ie n’en fus pas content, elle ne me sut plaire,
Le plus encore moins aux Anglois._]
Philip’s departure for England had been delayed at the last, on account
of the large quantity of bullion he was taking with him, amounting to
3,000,000 ducats, 300,000 of which were for his bride, 100,000 for the
merchants, and the rest for the Emperor. In charge of this money was
Sir Thomas Gresham, the celebrated founder of the Royal Exchange, who
had gone to Spain for the purpose of raising a loan. When that part of
the treasure which was destined for England was taken to the Tower, it
filled twenty carts containing fourscore and seventeen chests, a yard
and four inches long, and it was estimated that when coined it would
produce about £50,000 sterling.[451]
Public-domain text, read in full here on John Shaqi.
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