The History of Modern Painting, Volume 1 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 1 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
Schwind takes the story up at the fateful moment when the lonely maiden,
who is determined to release her enchanted brothers by assiduous
spinning and constant silence, is discovered by a hunting party. There,
amid the enchantment of the forest solitude, she sits in the hollow of a
tree and spins away at the seven shirts, to free her seven brothers.
Thus the king's son catches sight of her. The fire of love kindles in
his eyes. In one long kiss the maiden gives herself to him. The wedding
takes place, and like another St. Elizabeth she is seen standing, soon
afterwards, distributing alms to starving beggars. Yet, meanwhile, she
has fallen under suspicion owing to her continuous silence; even her
husband becomes distrustful, because in the quiet of night he has
observed that she is not resting by his side, but is quietly up and
spinning. And the catastrophe comes when the silent queen gives birth to
twins, who, to the horror of all around, fly off in the form of ravens.
Tranquil and affectionate, the young mother awaits her fate. Then follow
the sentence of the Vehm-tribunal, the pathetic parting from her
husband, the preparation for death. There is only one hour more to pass
by before the seven years are over and the spellbound brothers set free.
The good fairy appears in the air, hour-glass in hand, and brings solace
to the hard-pressed heroine. The beggars, too, whose benefactress she
had been, bring help, and hold the gate of the dungeon in force. So the
time runs out, the spell is broken, and the brothers hasten, on
milk-white horses, to save their sister from the stake. In Schwind's
marvellous drawings the story passes quickly on, stroke by stroke,
deeply moving and soul-stirring in its dramatic force.
The "Beautiful Melusina" was the kiss of the water-nymph, with which
Romanticism led her faithful knight to his death, only to disappear
together with him out of German art. "The winter has dealt me a sore
blow; I shall never be able to do anything more." Carl Maria von Weber
and Uhland had already gone before; Schwind was lying on his sick-bed
when the German victories created a German fatherland. He learned,
however, all the long series of glorious tidings that came from the
field of war, saw the tumultuous joy and the dazzling sea of fire which
surged through Munich in January 1871, and heard the joyful news that
Germany was at last united. Then he had a glass of champagne poured out
for him, and drank it to the new empire and the future of the nation.
Public-domain text, read in full here on John Shaqi.
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