The History of Modern Painting, Volume 1 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 1 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
Even the decorative painters abandoned more and more the much-worn paths
of the Italians. _François Lemoine_ gave them, by Rubens' aid, the
transition to a manner peculiarly French, elegant, sensuous, charming.
His pupil, _François Boucher_, followed him. Like the sons of the
seventeenth century, he made exhaustive use of mythological subjects and
was often a superficial artist, and in his later works he became
entirely a mannerist; but he was not so at the beginning. It was a great
advance for France when Boucher gave his pupils the advice to abstain
from imitation of the great Italian masters, and not to grow "as cold as
ice." And what a great naturalist he is in his numerous drawings and
etchings, and in those marvellous groups of chubby children who are
playing and tumbling about on clouds, or playing musical instruments
shooting arrows, or sporting with flowers! "It is not every one who has
the stuff to make a Boucher" even his great antagonist David has said of
him.
In _Fragonard_, again, there was summed up all the joy of life and the
frivolity, the lustrous, luxurious talent, the charming amiability and
nimble sureness, of French art in the eighteenth century. Fragonard has
painted everything. His great decorations are careless inspirations,
sparkling with spirit and life. With him pastoral scenes alternate with
episodes of everyday life--children, guitar players, women reading.
Fragonard is a piquant, ingenious painter. Perhaps hardly any other
painter has so much kissing in his pictures. His etching, "L'armoire,"
of 1778, is well known. In that he already stood on the sure ground of
popular life. The old rustic, who is armed with a formidable cudgel, is
beating open, with the assistance of his wife, the doors of a great
clothes cupboard, in which a handsome young fellow has hidden himself;
close by is a pretty farm girl, weeping in confusion into her apron; in
the background the curious and amazed little sisters are looking on.
[Illustration: GREUZE. THE MILKMAID.]
[Illustration: _Cassell & Co._
GREUZE. HEAD OF A GIRL.]
Public-domain text, read in full here on John Shaqi.
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