The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
Sprung from the people, he became their painter. He was born, 29th May
1802, in Pirmasens, where his father combined a small farm with a
public-house and his mother kept a shop; and he had been first a
tradesman's apprentice, and then assistant clerk in a court of justice,
before he came to Munich in 1822. Here the Academy rejected him as
without talent; but while it shut the door against the pupil, life
revealed itself to the master. He went to the Schleissheimer Gallery,
and sat there copying the pictures of Wouwerman, Ostade, Brouwer, and
Berghem, and developed his powers, by the study of these Netherlandish
masters, with extraordinary rapidity. His first works--battles,
skirmishes, and other martial scenes--are amateurish and diffident
attempts; it is evident that he was without any kind of guidance or
direction. All the more astonishing is the swiftness with which he
acquired firm command of abilities, admirable for that age, and the
defiant spirit of independence with which he went straight from pictures
to nature, though hardly yet in possession of the necessary means of
expression. He painted and drew the whole new world which opened itself
before him: far prospects over the landscape, mossy stones in the
sunlight, numbers of cloud-pictures, peasants' houses with their
surroundings, forest paths, mountain tracks, horses, and figures of
every description. The life of men and animals gave him everywhere some
opportunity for depicting it in characteristic situations. And later,
when he had settled down again in Munich, he did not cease from
wandering in the South German mountains with a fresh mind. Up to old age
he made little summer and winter tours in the Bavarian highlands.
Tegernsee, Rottach, Prien, Berchtesgaden, South Tyrol, and Partenkirche
were visited again and again, on excursions for the week or the day; and
he returned from them all with energetic studies, from which were
developed pictures that were not less energetic.
[Illustration: BÜRKEL. BRIGANDS RETURNING.]
[Illustration: BÜRKEL. A DOWNPOUR IN THE MOUNTAINS.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account