The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
There they are: his poor poet, a little, lean old man, with a sharp nose
and a night-cap, sits at his garret window scanning verses on his frozen
fingers, enveloped in a blanket drawn up to his chin, and protected from
the inclemency of the weather by a great red umbrella; his clerk, grown
grey in the dust of parchments, sharpens his quill with dim-sighted
eyes, and feels himself part of a bureaucracy which rules the world; his
book-worm stands on the highest ladder in the library, with books in his
hand, books in his pockets, books under his arms, and books jammed
between his legs, and neglects the dinner-hour in his peaceful
enjoyment, until an angry torrent of scolding is poured over his devoted
head by the housekeeper; there is his old gentleman devoutly sniffing
the perfume of a cactus blossom which has been looked forward to for
years; there is his little man enticing his bird with a lump of sugar;
the widower glancing aside from the miniature of his better half at a
pair of pretty maidens walking in the park; the constable whiling away
the time at the town-gate in catching flies; the old-fashioned bachelor,
solemnly presenting a bouquet to a kitchen-maid who is busied at the
market-well, to the amusement of all the gossips watching him from the
windows; the lovers who in happy oblivion pass down a narrow street by
the stall of a second-hand dealer, where amidst antiquated household
goods a gilded statuette of Venus reposes in a rickety cradle; the
children holding up their pinafores as they beg the stork flying by to
bring them a little brother.
Spitzweg, like Jean Paul, makes an effect which is at once joyous and
tender, _bourgeois_ and idyllic. The postillion gives the signal on his
horn that the moment for starting has arrived; milk-maids look down from
the green mountain summit into the far country; hermits sit before their
cells forgotten by the world; old friends greet each other after years
of separation; Dachau girls in their holiday best pray in woodland
chapels; school children pass singing through a still mountain valley;
maidens chatter of an evening as they fetch water from the moss-grown
well, or the arrival of the postman in his yellow uniform brings to
their windows the entire population of an old country town.
Public-domain text, read in full here on John Shaqi.
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