The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 2 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
some hoarse old monster; the colour of the water is dirty and pallid;
the howling multitude of waves storms on like an innumerable army before
which every human power gives way. Stones are torn loose and hurled
crashing upon the shore. The clouds are dull and ghostly, here black as
smoke, there of a shining whiteness, and swollen as though they must
burst. He celebrates the commotion of the sky, nature in her angry
majesty, and the most brilliant phenomena of atmospheric life.
Rousseau's highest aim was to avoid painting for effect, and Corot only
cared for grace of tone; a picture of his consists "of a little grey and
a certain _je ne sais quoi_." Jules Dupré is peculiarly the colour-poet
of the group, and sounds the most resonant notes in the romantic
concert. His light does not beam in gently vibrating silver tones, but
is concentrated in glaring red suns. "_Ah, la lumière, la lumière!_"
Beside the flaming hues of evening red he paints the darkest shadows. He
revels in contrasts. His favourite key of colour is that of a ghostly
sunset, against which a gnarled oak or the dark sail of a tiny vessel
rises like a phantom.
Trembling and yet with ardent desire he looks at the tumult of waters,
and hears the roll and resonance of the moon-silvered tide. He delights
in night, rain, and storm. Corot's gentle rivulets become a rolling and
whirling flood in his pictures, a headlong stream carrying all before
it. The wind no longer sighs, but blusters across the valley, spreading
ruin in its path. The clouds which in Corot are silvery and gentle, like
white lambs, are in Dupré black and threatening, like demons of hell. In
Corot the soft morning breeze faintly agitates the tender clouds in the
sky; in Dupré a damp, cold wind of evening blows a spectral grey mist
into the valley, and the hurricane tears apart the thunderclouds.
"Wenn ich fern auf nackter Haide wallte,
Wo aus dämmernder Geklüfte Schooss
Der Titanensang der Ströme schallte
Und die Nacht der Wolken mich umschloss,
Wenn der Sturm mit seinen Wetterwogen
Mir vorüber durch die Berge fuhr
Und des Himmels Flammen mich umflogen,
Da erscheinst du, Seele der Natur."
[Illustration: DAUBIGNY. LANDSCAPE: EVENING.]
[Illustration: _Baschet._
CHINTREUIL. LANDSCAPE: MORNING.]
Public-domain text, read in full here on John Shaqi.
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