The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
[Illustration: _Albert, Munich._
BOECKLIN. THE HERD.]
And only a slight alteration in the truths of nature has sufficed him
for the creation of such chimerical beings. As a landscape painter he
stands with all his fibres rooted in the earth, although he seems quite
alienated from this world of ours, and his fabulous creatures make the
same convincing impression because they have been created with all the
inner logical congruity of nature, and delineated under close
relationship to actual fact with the same numerous details as the real
animals of the earth. For his Tritons, Sirens, and Mermaids, with their
awkward bodies covered with bristly hair and their prominent eyes, he
may have made studies from seals and walruses. As they stretch
themselves upon a rocky coast, fondling and playing with their young,
they have the look of sea-cows in human form, though, like men, they
have around them all manner of beasts of prey and domestic pets which
they caress,--in one place a sea-serpent, in another a seal. His obese
and short-winded Tritons, with shining red faces and flaxen hair
dripping with moisture, are good-humoured old gentlemen with a quantity
of warm blood in their veins, who love and laugh and drink new wine. His
Fauns may be met with amongst the shepherds of the Campagna, swarthy
strapping fellows dressed in goat-skins after the fashion of Pan--lads
with glowing eyes and two rows of white teeth gleaming like ivory. It is
chiefly the colour lavished upon them which turns them into children of
an unearthly world, where other suns are shining and other stars.
Public-domain text, read in full here on John Shaqi.
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