The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
Enthusiastically adored by the women in his school of painting, he had
found a dear friend in _Marie Baskirtscheff_, the distinguished young
Russian girl who had become his pupil just as his fame began to rise. It
is charming to see the enthusiasm with which Marie speaks of him in her
diary. "_Je peins sur la propre palette du vrai Bastien, avec des
couleurs à lui, son pinceau, son atelier, et son frère pour modèle._"
And how the others envy her because of it! "_La petite Suédoise voulait
toucher à sa palette._" With Marie he sketched his plans for the future,
and in the midst of this restless activity he was summoned hence
together with her, for she also died young, at the age of twenty-four,
just as her pictures began to create a sensation. A touching idyll in
her diary tells how the girl learnt, when she was dying of consumption,
that young Bastien had also fallen ill, and been given up as hopeless.
So long as Marie could go out of doors she went with her mother and her
aunt to visit her sick friend; and when she was no longer allowed to
leave the house he had himself carried up the steps to her drawing-room
by his brother, and there they both sat beside each other in armchairs,
and saw the end draw near, merciless and inevitable, the end of their
young lives, their talents, their ambition, and their hopes. "At last!
Here it is then, the end of all my sufferings! So many efforts, so many
wishes, so many plans, so many ---- ----, and then to die at
four-and-twenty upon the threshold of them all!"
[Illustration: _L'Art._ LÉON L'HERMITTE.]
Her last picture was one of six schoolboys, sons of the people, who are
standing at a street corner chattering; and it makes a curiously virile
impression, when one considers that it was painted by a blond young
girl, who slept under dull blue silken bed-curtains, dressed almost
entirely in white, was rubbed with perfumes after a walk in hard
weather, and wore on her shoulders furs which cost two thousand francs.
It hangs in the Luxembourg, and for a long time a lady dressed in
mourning used to come there every week and cry before the picture
painted by the daughter whom she had lost so early. Marie died on 31st
October 1884, and Bastien barely a month afterwards. "The Funeral of a
Young Girl," in which he wished to immortalise the funeral of Marie, was
his last sketch, his farewell to the world, to the living, alluring,
ever splendid nature which he loved so much, grasped and comprehended so
intimately, and to the hopes which built up their deceptive castles in
the air before his dying gaze. He died before he reached Raphael's age,
for he was barely thirty-six. The final collapse came on 10th December
1884, upon a sad, rainy evening, after he had lain several months upon a
bed of sickness. His frame was emaciated, and as light as that of a
child; his face was shrivelled--the eyes alone had their old brilliancy.
[Illustration: _Gaz. des Beaux-Arts._
ROLL. THE WOMAN WITH A BULL.
Public-domain text, read in full here on John Shaqi.
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