The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX centuryMuther, Richard
History
The History of Modern Painting, Volume 3 (of 4): Revised edition continued by the author to the end of the XIX century
Muther, Richard
Painting -- History
When he painted his finest pictures he suffered from very bad health,
and his works have themselves the witchery of disease, the fascinating
beauty of consumption. He painted with such delicacy and refinement,
because sickness had made him weak and delicate; he divested his peasant
men and women of everything fleshly, so that nothing but a shadow of
them remained, a spirit vibrating in fine, elusive, dying chords. In his
"Evening Hymn" girls are singing in the meadow; to judge from their
dresses, they should be the daughters of the peasantry, but one fancies
them religious enthusiasts, brought together upon this mysterious and
sequestered corner of the earth by a melancholy world-weariness, by a
yearning after the mystical. Fragile as glass, sensitive to the ends of
their fingers, and, one might say, morbidly spiritual, they breathe out
their souls in song, encompassed by the soft shadows of the evening
twilight, and uttering all the exquisite tenderness of their subtle
temperament in the hymn they chant. Another of his pastoral symphonies
is "The Harvest Moon." Farm labourers are plodding homewards after their
day's work. The moon is rising, and casts its soft, subdued light upon
the dark hills and the slender trees, in the silvery leaves of which the
evening wind is playing. "The Gander," "The Young Anglers," and "The
Cast Shoe" are captivating through the same delicacy and the same mood
of peaceful resignation. George Mason is an astonishing artist, almost
always guilty of exaggeration, but always seductive. Life passes in his
pictures like a beautiful summer's day, and with the accompaniment of
soft music. A peaceful, delicate feeling, something mystical,
bitter-sweet, and suffering, lives beneath the light and tender veil of
his pictures. They affect the nerves like a harmonica, and lull one with
low and softly veiled harmonies. Many of the melancholy works of Israels
have a similar effect, only Israels is less refined, has less of
distinction and--more of truth.
[Illustration: MASON. THE END OF THE DAY.
(_By gracious permission of H.M. Queen Victoria, the owner of the
picture._)]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account