The history of our Navy from its origin to the present day, 1775-1897, vol. 3 (of 4)Spears, John Randolph
History
The history of our Navy from its origin to the present day, 1775-1897, vol. 3 (of 4)
Spears, John Randolph
United States. Navy -- History; United States. Navy -- History -- Spanish-American War, 1898
In February the commodore returned for the Emperor’s reply to the
President’s message requiring a commercial treaty. He came with the
steamers _Powhatan_, _Mississippi_, and _Susquehanna_, with the
_Lexington_, _Vandalia_, and _Macedonian_ in tow. They insisted on
anchoring farther up the bay than before--at Yokohama, within nine
miles of the capital. Here the commodore continued the practices of
the former visit, and the business of the expedition was concluded in
the signing of a treaty which granted everything that the Americans
could reasonably demand--a treaty, it is worth noting, that has been of
greater benefit to Japan than to the nation that insisted on making it.
[Illustration: The Final Page of the First Treaty with Japan.
_From a facsimile of the original._]
And to the very great honor of the American Navy it was made without
bloodshed as well as without a single humiliating concession. In fact,
the Japan expedition emphasizes the assertion that whenever matters
of foreign diplomacy have been left to the discretion of the officers
of the Navy both the honor of the nation and justice have been
carefully guarded.
[Illustration: Commodore Perry Meeting the Imperial Commissioners at
Yokohama.
_From a lithograph in Perry’s “Narrative.”_]
An amusing feature of the history of this expedition is found in the
periodicals of the day, where it is said that the Japanese idea of
entertaining their guests was a “disgusting exhibition” of the skill
of their wrestlers, while the American idea of a return entertainment
was a “brilliant” negro minstrel show in which the seamen of the fleet
performed as well as the professional talent at “Christy’s” on Broadway
might have done.
[Illustration: Japanese Wrestlers at Yokohama.
_From a lithograph in Perry’s “Narrative.”_]
Public-domain text, read in full here on John Shaqi.
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