[Footnote 243: It was the cabinet of antiquities, not then arranged. In each class I have noticed the additions of Leopold. To the busts of the Cæsars I was able to add about forty, some of which had been purchased, and others removed from the royal palaces and villas. See the Description above quoted, p. 34. The collection of heads of philosophers and illustrious men was almost all new. I give an account of it in p. 85. The series of busts of the Medicean family was completed at the same time, and Latin inscriptions were added, which are to be found in various descriptions of the gallery, with some errors, that are not to be attributed to me, but to the printers; and this remark applies to other royal epitaphs, as published in many books. The cabinet of antique bronzes is described in p. 55. For the collection of antique earthenware, see p. 157; of Greek and Latin inscriptions on stones, see p. 81. For the Hetruscan and carved cinerary urns, see p. 46. This cabinet I also endeavoured to illustrate in _Saggio di Lingua Etrusca_, &c. published at Rome, in 1789. For the cabinet of antique medals, arranged by the celebrated Sig. Ab. Eckell, see p. 101; the others, arranged by Sig. Pelli, are mentioned a little before.] [Footnote 244: After the departure of the prince, his bust in marble was erected, and beneath it the following inscription, of which he was pleased to approve: PETRVS. LEOPOLDVS. FRANCISCI. AVG. F. AVSTRIACVS. M. D. E. AD. VRBIS. SVAE. DECVS. ET. AD. INCREMENTVM. ARTIVM. OPTIMARVM MVSEVM. MEDICEVM OPERIBVS. AMPLIATIS. COPISQVE. AVCTIS ORDINANDVM. ET. SPLENDIDIORE. CVLTV. EXORNANDVM. CVRAVIT ANNO. M.DCC.LXXXIX. ] [Footnote 245: He employed in this work the highly esteemed Sig. Cav. Puccini, from whom I understand, that almost a third of the pictures now in the gallery were placed there by the munificence of Ferdinand. Sig. Puccini has arranged them in a manner so symmetrical and instructive as to form a model for all other collections.]