The History of Painting in Italy, Vol. 1 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 1 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
We have related the progress and best works of the Sienese school from
the beginning, to about the middle of the sixteenth century; but we have
not yet considered a circumstance that adds greatly to the merit of the
artists and works of that period. If we search into the history of that
half century, we shall find that all Italy groaned under the pressure of
public calamities; but Siena, to a greater degree, and for a longer
period than any other place, endured an accumulation of the most
terrible evils. Famine, pestilence, and a suspension of commercial
intercourse, afflicted other states, but here they seem to have
exhausted their rage: civil commotions and external enemies agitated
other states, but here, during a period of many years, they allowed not
a moment of tranquillity. The republic of Siena, strong in the valour of
her citizens, was feeble in every thing besides; and hence it resembled
a gulph, where tempests are more frequent and more violent than on the
ocean. The usurpation of the Petrucci, the dissensions between the
nobles and the people, and jealousy of foreign powers, who sought her
subjugation, kept Siena in constant alarm, and often incited to arms and
to bloodshed. The remedy which they now expected in the protection of
the emperor, at another time from France, only served to aggravate
internal commotion and foreign aggression. Amid this perpetual
agitation, I know not whether most to admire the genius of the people,
ever directed to the decoration of their houses and public edifices, or
the spirit of the artists, who could summon all the powers of their
minds to such efforts: this I know, that similar instances are rare in
other countries. The year 1555 at length arrived, when Cosmo I. deprived
the Sienese of their long defended liberty. To any enemy but the
Florentines they would have submitted with less reluctance; and on this
account our astonishment is lessened on finding that, on this occasion,
two thirds of the inhabitants abandoned their native soil, refusing to
live subject to enemies so abhorred.
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