Bellori, who wrote the life of Barocci, has given us a catalogue of his pictures. There are few found which are not of religious subjects; some portraits, and the Burning of Troy, which he painted in two pictures, one of which now adorns the Borghese gallery. Except on this occasion his pencil may be said to have been dedicated to religion; so devout, so tender, and so calculated to awaken feelings of piety, are the sentiments expressed in his pictures. The Minerva, in Rome, possesses his Institution of the Sacrament, a picture which Clement X. employed him to paint; the Vallicella has his two pictures of the Visitation and the Presentation. In the Duomo of Genoa is a Crucifixion by him, with the Virgin and S. John, and S. Sebastian; in that of Perugia, the Deposition from the Cross; in that of Fermo, S. John the Evangelist; in that of Urbino, the Last Supper of our Lord. Another Deposition, and a picture of the Rosario, and mysteries, is in Sinigaglia; and, in the neighbouring city of Pesaro, the calling of St. Andrew, the Circumcision, the Ecstacy of S. Michelina on Mount Cavalry, a single figure, which fills the whole picture, and esteemed, it is said, by Simon Cantarini, as his masterpiece. Urbino, besides the pictures already noticed, and some others, possesses a S. Francis in prayer, at the Capucins; and at the Conventuals, the great picture of the Perdono, in which he consumed seven years. The perspective, the beautiful play of light, the speaking countenances, the colour and harmony of the work, cannot be imagined by any one who has not seen it. The artist himself was delighted with it, wrote his name on it, and etched it. His Annunciation, at Loreto, is a beautiful picture, and the same subject at Gubbio, unfinished; the Martyrdom of S. Vitale, at the church of that saint, in Ravenna, and the picture of the Misericordia, painted for the Duomo of Arezzo, and afterwards transferred to the ducal gallery of Florence. The same subject exists also in the hospital of Sinigaglia, copied there by the scholars of Barocci, who have repeated the pictures of their master in numerous churches of the state of Urbino, and of Umbria, and in some in Piceno, and these are, occasionally, so well painted, that one might imagine he had finished them himself.