any other place, as he passed his latter years in that and the neighbouring cities, as in Bergamo, and particularly in Piacenza. His epitaph is given in the Guida di Milano, page 129. Il Montagna, another artist from Holland, was also a painter of sea views, which may almost indeed be called the landscapes of the Dutch. He left many works in Italy, more particularly in Florence and in Rome, where he is sometimes mistaken for Tempesta in the galleries and in picture sales; but Montagna, as far as I can judge, is more serene in his skies, and darker in his waves and the appearance of the sea. A large picture of the Deluge, which is at S. Maria Maggiore in Bergamo, placed there in 1668, in which the figures are by the Cav. Liberi, is supposed to be by Montagna, from the tone of the water. This however is an error, for the Montagna of whom we speak, called by Felibien (tom. iii. p. 339,) Montagna di Venezia, certainly died in Padua; and in a MS. by a contemporary author, where he is mentioned as a distinguished sea painter, he is said to have died in 1644. I apprehend this is the same artist whom Malvasia (tom. ii. p. 78,) calls Mons. Rinaldo della Montagna, and states that he was held in esteem by Guido for his excellence in sea views. I also find a Niccolo de Plate Montagna, favourably mentioned by Felibien, also a marine painter, who died about 1665; and I formerly imagined that this might be the artist who painted so much in Italy, but I now retract that opinion. Tempesti was the first to introduce the custom of decorating landscapes with battles and skirmishes. A Flemish artist of the name of Jacopo succeeded to him in this branch, but his fame was eclipsed by his own scholar Cerquozzi, a Roman, who from his singular talent in this respect, was called Michelangiolo delle Battaglie. He was superior to Tempesti in colouring, but inferior to him in designing horses. In the human figure, too, he is less correct, and more daring in the style of his master Cesari. It must however be remembered, that when Cerquozzi painted battles he was not in his prime, and that his chief merit lay in subjects on which I shall presently make some remarks.