The History of Painting in Italy, Vol. 2 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 2 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
Corrado Giaquinto was another scholar of Solimene. He came from Naples
to Rome, where he attached himself to Conca to learn colouring, in which
he chiefly followed his master's principles, though he was less correct
and more of a mannerist, and was accustomed to repeat himself in the
countenances of his children, which resemble the natives of his own
country. He was not, however, without merit, as he possessed facility as
well as vigour, and was known in the ecclesiastical state for various
works executed in Rome, Macerata, and other places. He went afterwards
to Piedmont, as we shall mention at the proper time; then to Spain,
where he was engaged in the service of the court, and gave satisfaction
to the greater part of the native artists. The public taste in Spain,
which had for a long time retained the principles of the school founded
by Titian, had been changed within a few years. Luca Giordano was become
the favorite, and they admired his spirit, his freedom, and his
despatch; qualities which were combined in Corrado. This partiality
lasted even after Mengs had introduced his style, which in consequence
appeared at first meagre and cold to many of the masters and
connoisseurs of the day, when compared with that of Luca Giordano; until
prejudice there, as in Italy, ultimately yielded to truth.
Some other artists flourished in Rome at the commencement, and as far as
the middle of the century, and somewhat beyond, who may perhaps have a
claim to be remembered. Of Francesco Fernandi, called L'Imperiali, the
Martyrdom of S. Eustachio in the church of the saint of that name, is
well conceived and scientifically coloured. Antonio Bicchierai, a fresco
painter, is more particularly known at S. Lorenzo in Panisperna, in
which church he painted a sfondo which did him honour. Michelangiolo
Cerruti, and Biagio Puccini, a Roman, about the time of Clement XI. and
Benedict XIII., were esteemed artists of good execution. Of others who
acquired some reputation in the following pontificate, I shall write in
other schools, or if I should not mention them, they may be found in the
Guida of the city.
Public-domain text, read in full here on John Shaqi.
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