I shall close this catalogue, passing over some less celebrated artists, with Paolo Porpora, who from battles, were directed by the impulse of his genius to the painting of animals, but succeeded best in fish, and shells, and other marine productions, being less skilled in flowers and fruit. But about his time Abraham Brughel painted these subjects in an exquisite style in Naples, where he settled and ended his days. From this period we may date a favourable epoch for certain pictures of minor rank, which still add to the decoration of galleries and contribute to the fame of their authors. After the two first we may mention Giambatista Ruoppoli and Onofrio Loth, scholars of Porpora, excelling him in fruits, and particularly in grapes, and little inferior in other respects. Giuseppe Cav. Recco, from the same school, is one of the most celebrated painters in Italy, of hunting, fowling, and fishing pieces, and similar subjects. One of his best pictures which I have seen, is in the house of the Conti Simonetti d'Osimo, on which the author has inscribed his name. He was admired in the collections also for his beautiful colouring, which he acquired in Lombardy; and he resided for many years at the court of Spain, whilst Giordano was there. There was also a scholar of Ruoppoli, called Andrea Belvedere, excelling in the same line, but most in flowers and fruit. There arose a dispute between him and Giordano, Andrea asserting that the historical painters cannot venture with success on these smaller subjects; Giordano, on the contrary, maintaining that the greater included the less; which words he verified by painting a picture of birds, flowers, and fruit, so beautifully grouped that it robbed Andrea of his fame, and obliged him to take refuge among men of letters; and indeed in the literary circle he held a respectable station. Nevertheless his pictures did not fall in esteem or value, and his posterity after him still continue to embellish the cabinets of the great. His most celebrated scholar was Tommaso Realfonso, who to the talents of his master, added that of the natural representation of every description of utensils, and all kinds of confectionery and eatables. He had also excellent imitators in Giacomo Nani, and Baldassar Caro, employed to ornament the royal court of King Charles of Bourbon; and Gaspar Lopez, the scholar first of Dubbisson, afterwards of Belvidere. Lopez became a good landscape painter, was employed by the Grand Duke of Tuscany, and resided a considerable time in Venice. According to Dominici he died in Florence, and the author of the Algarotti Catalogue in Venice, informs us, that that event took place about the year 1732. We may here close the series of minor painters of the school of Aniello,[120] and may now proceed to the succeeding epoch, commencing with the historical painters.