One of his most distinguished works is the sacristy of the P. P. Teatini detti di S. Paolo Maggiore, painted in various compartments. His pictures also in the arches of the chapels in the church of the Holy Apostles deserve to be mentioned. That work had been executed by Giacomo del Po, to correspond with the style of the tribune, and the other works which Lanfranco had painted there: but Po did not satisfy the public expectation. The whole work was therefore effaced, and Solimene was employed to paint it over again, and proved that he was more worthy of the commission. The chapel of S. Filippo in the church of the Oratory, is a proof of his extreme care and attention; every figure in it being almost as finely finished as a miniature. Among private houses the most distinguished is the Sanfelice, so called from the name of his noble scholar Ferdinand, for whom he painted a gallery, which afterwards became an academy for young artists. Of his large pictures we may mention that of the great altar in the church of the monks of S. Gaudioso, without referring to others in the churches and in various parts of the kingdom; particularly at Monte Cassino, for the church of which he painted four stupendous pictures in the choir. They will be found in the _Descrizione Istorica del Monistero di Monte Cassino_, edited in Naples, in 1751. He is not often met with in private collections in Italy, beyond the kingdom of Naples. In Rome the princes Albani and Colonna have some large compositions by him, and the Bonaccorsi family a greater number in the gallery of Macerata; and among them the death of Dido, a large picture of fine effect. His largest work in the ecclesiastical state, is a Supper of our Lord, in the refectory of the Conventuals of Assisi, an elegant composition, painted with exquisite care, where the artist has given his own portrait among the train of attendants.