A more circumstantial mention may be made of some _oltramontani_, who, in conjunction with our countrymen, were employed in the works in these pontificates; and it may be done with the more propriety, as we do not speak of them in any other part of our work. But those who worked in Rome were very numerous in every period, and it would be too much to attempt to enumerate them all in a history of Italian painting. One Arrigo, from Flanders, painted a Resurrection in the Sistine chapel, and also worked in fresco in other places in Rome; and is commended by Baglione as an excellent artist. Francesco da Castello, was also of Flanders, and of a more refined and correct taste. There is a picture by him at S. Rocco, with various saints; and it is perhaps the best piece the world possesses of him; but almost all his works were painted for the cabinet, and in miniature, in which he excelled. The Brilli we may include among the landscape painters. The states of the church possessed in this epoch painters of consideration, besides those in Perugia, where flourished the two Alfani and others, followers of a good style; but whether they were known or employed in Rome, I am not able to say. I included them in the school of Pietro, in order that they might not be separated from the artists of Perugia, but they continued to live and to work for many years in the 16th century. To these may be added Piero and Serafino Cesarei,[66] and others of less note. In the city of Assisi, there resided, in the beginning of the 16th century, a Francesco Vagnucci, and there remain some works by him in the spirit of the old masters. There, also, afterwards resided Cesare Sermei Cavaliere, who was born in Orvieto, and married in Assisi, and lived there until 1600, when he died at the age of 84. He painted both there and in Perugia, and if not in a grand style of fresco, still with a felicity of design, with much spirit in his attitudes, and with a vigorous pencil. He was a good machinist, and of great merit in his oil pictures. At Spello I saw a picture by him of the Beatified Andrea Caccioli; and it seems to me, that few other painters of the Roman School had at that time equalled him. His heirs, in Assisi, possess some pictures by him of fairs, processions, and ceremonies which occur in that city on occasion of the Perdono; and the numbers and variety and grace of the small figures, the architecture, and the humour displayed, are very captivating. At Spello, just above mentioned, in the church of S. Giacomo, is a picture which represents that saint and S. Catherine before the Madonna: where we read _Tandini Mevanatis_, 1580; that is, of Tandino di Bevagna, a place near Assisi; nor is it a picture to be passed over.