The History of Painting in Italy, Vol. 2 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 2 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
In the former edition of this work I made mention of Castel Durante, now
Urbania, in the state of Urbino. I noticed Luzio Dolce among the ancient
painters, of whom I had at that time seen no performance, except an
indifferent picture, in the country church of Cagli, in 1536. Since that
period Colucci has published (tom. xxvii.) a _Cronaca di Castel
Durante_, wherein he gives a full account of Luzio, and of others that
belong to that place. Bernardino, his grandfather, and Ottaviano, his
father, excelled in stucco, and had exercised their art in other places;
and he himself, who was living in 1589, is commended for his altarpieces
and other pictures, in the churches, both in his native city and other
places: and further, it is stated that he was employed by the duke to
paint at the Imperiale. He also makes honourable mention of a brother of
Luzio, and extols Giustino Episcopio, called formerly de' Salvolini,
who, in conjunction with Luzio, painted in the abbey the picture of the
Spirito Santo, and the other pictures around it. He also executed many
other works by himself in Castel Durante and elsewhere, and in Rome as
well, where he studied and resided for a considerable time. It is
probable that Luzio was, in the latter part of his life, assisted by
Agostino Apolonio, who was his sister's son, married in S. Angelo in
Vado, and who removed and settled in Castel Durante where he executed
works both in stucco and in oils, particularly at S. Francesco, and
succeeded alike to the business and the property of his maternal uncle.
Public-domain text, read in full here on John Shaqi.
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