Jacopo possessed few disciples beyond his two children, though he profited in some measure from these few. Paolo Franceschi, or de' Freschi, a Fleming, and Martino de Vos d'Anversa, were artists he employed to draw his landscapes. The former was esteemed one of the best landscape painters of his time, while he succeeded also in figures. He was engaged to paint for the Palazzo Publico, and several churches in Venice, where he terminated his days. The second resided also at Rome; and, in the church of San Francesco a Ripa, painted his _Concezione_, a picture, indeed, abounding with too many figures, but beautiful and exquisite in its tints. With still greater felicity he depicted the four seasons for the Colonna family, very pleasing little pictures, presenting a happy union of various schools, fine perspective, fine relief, with correct and graceful design. Passing into Germany, and increasing in reputation no less by his works than by the engravings made of them by Sadeler, there, full of years and fame, he died. Lamberto Lombardo has been just before recorded as the assistant of Tintoretto, but not his disciple. Odofardo Fialetti, a native of Bologna, was educated in the school of Tintoretto, where he acquired a reputation for good design, and a thorough acquaintance with all the precepts of the art, yet he was still far from emulating his master, not possessing vivacity of genius equal to the task. To avoid a competition with the Caracci he long continued, and died at Venice, where many of his works are highly esteemed, and in particular his picture of the Crucifixion, painted for the Croce. Among the imitators of Tintoretto appears the name of Cesare dalle Ninfe, an artist who aimed at reaching the sharp expression of ridicule, the novelty of ideas, and the rapidity of hand, so remarkable in his prototype; though unequal in his design. Flaminio Floriano seems to have been ambitious of imitating only the more correct parts of his model; so uniformly exact, temperate, and precise does he appear in his picture of San Lorenzo, to which he affixed his name.