Brusasorci may be termed the Titian of this school. It is not known that he received the instructions of any other master besides Giolfino, but it is certain that he studied the works of Giorgione and of Titian, in Venice. He has exhibited the style of the latter in a few of his pictures with great accuracy, as we see in his _San Rocco_, in the church of the Padri Agostiniani at Verona, and in several other pictures for private persons, among which he has drawn nymphs and Venuses. An eye accustomed to the originals of the best Venetians, detects a diversity of tints which in the artist of Verona are less glowing. His genius could not confine itself to the imitation of a single model, like some of the Venetians; he became fond of Giorgione, and to judge from one of his pieces remaining at Mantua, also of Parmigianino. There in the ducal palace we meet with the Fable of Phaeton exhibited in different pieces, which, however much defaced by time, are still admired for the fancy and vivacity they display, no less than for their abundance of figures, and the difficult foreshortenings he has inserted. But his chief merit was shewn in his frescos, with which he decorated villas and palaces with the erudition of a fine poet and the execution of a fine painter. He produced, likewise, his histories; and the masterpiece of all I have seen is the procession of Clement VIII. and of Charles V. through Bologna, a picture exhibited in a hall of the noble casa Ridolfi, and which has been engraved. A nobler spectacle cannot well be imagined; and although other specimens, both of this and similar subjects are met with very generally at Rome, in Venice, and in Florence, none produce equal effect; combining in one piece, a large concourse, fine distribution of figures, vivacity of countenances, noble attitudes in the men and horses; variety of costume, pomp, and splendour and dignity, all bearing an expression of pleasure adapted to such a day. This piece may compete with another in the palazzo Murari at Ponte Nuovo, also in fresco, though this last is preferred in the estimation of many before that of the casa Ridolfi, as I have been informed by the learned Signor dalla Rosa.