To attempt a full list of the rest of the mannerists, who followed more or less the composition of Palma, would only weary the reader with a repetition of names. From these I select, therefore, merely a few of the most remarkable in Venice and its vicinity, having to make mention of others in the respective schools of terra firma. Girolamo Gamberati, a scholar of Porta, acquired the art of colouring from Palma, upon whose model he painted at Le Vergini, and other places. It is still suspected, however, that the character displayed in his pieces, must have come from the hand of Palma, whose friendship occasionally assisted him. In the Guide by Zanetti, we find mention of a Jacomo Alberelli, a disciple of Palma, who painted the Baptism of Christ at the church of the Ognisanti. There is a slight allusion to him in Ridolfi, by whom he is entitled Albarelli; and he adds, that he produced the bust for the tomb of his master, in whose service he lived during thirty-four years. Camillo Ballini is also recorded among the Palmese mannerists, whether a native of Venice or of the state is not certain. In his manner he is pleasing, though neither spirited nor vigorous; and he was likewise employed in the Ducal Palace. Boschini moreover extols Bianchi, Dimo, and Donati, all Venetians, and his own friends; but I would omit them, finding no commendations in any other work. I omit also Antonio Cecchini da Pesaro, whose age, as reported in the index, cannot be brought to agree with the period of Palma's professorship.