Bartolommeo Scaligero ranks among the most celebrated pupils and imitators of Padovanino, an artist enumerated by the people of Padua among their fellow citizens, although they can boast little from his pencil; while the Venetians are in possession of his pictures in various churches, the most beautiful, perhaps, at the _Corpus Domini_. Gio. Batista Rossi, from Rovigo, produced one of his pictures for San Clemente at Padua; subsequently he flourished at Venice, executing few things for public exhibition, but which are much extolled by Boschini. Giulio Carpioni was accounted also among the pupils of Varotari, and acquired a reputation rather for his small than his larger compositions; but we shall have occasion to allude to him again. Maestri and Leoni are names recorded in the _Guida_ of Venice, distinguished for their works in fresco, exhibited at the Conventuali. The former was most probably a foreigner, as well as the latter, whom we shall find at Rimino. Were Boschini somewhat of a less profuse panegyrist, we might here add to this list the name of Dario, a son of Padovanino, uniting the character of the physician, the poet, the painter, and engraver. In the index to the _Carta del Navegar_, we find him placed in the rank of Dilettanti, from the circumstance of his producing little in the art, and this more with the object of presenting his pictures as gifts than of gain. Nevertheless we meet with an encomium upon them,[81] sufficient to satisfy the claims even of a good professor; besides which, several of his virtues and portraits, with an excellent body of colouring, are equally extolled for the spirit of their attitudes, and exquisite taste in the Giorgione manner.