The History of Painting in Italy, Vol. 3 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 3 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
Other equally useful methods have been adopted by the Republic for the
preservation of the fine models that adorn its churches, in order that
they should not run the risk of being sold and carried away. Hence it is
that the state, even throughout its most diminutive districts and towns,
has been enabled to preserve so many valuable paintings; while, at the
same time, it has furnished provision for its youthful artists, best
calculated to facilitate their improvement. During several centuries the
ancient company of painters, ennobled by the names of distinguished
pupils, continued to flourish; but there was still wanting the sort of
reputation arising from dignity of situation and establishment, from the
number and assiduity of its masters, and from the distribution of
rewards. Since the year 1724 it was decreed, and confirmed in 1766, that
a magnificent academy should be erected, devoted to the fine arts, "upon
the plan," as was further stated, "of the principal institutions in
Italy and throughout Europe." And it forms indeed an object gratifying
to the mind of the most accomplished foreigners, to behold this seat of
art, and to cultivate an acquaintance with its objects and pursuits.
These views of the government have been promoted by the private
individuals of that most splendid body of nobility, an assembly in which
the Abate Filippo Farsetti very liberally distinguished himself, by
presenting the institution with a large collection of paintings, and
casts taken from the finest antique statues. Their successors have
displayed the same kind of spirit, nor do they merely afford students
access to the study of these monuments; but their finest productions, in
every year, are selected according to the judgment of public professors,
and rewarded with all the ceremony and munificence worthy of such an
institution.
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