The History of Painting in Italy, Vol. 4 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 4 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
He had three brothers who followed in his footsteps, and all of whom he had
himself instructed. Francesco, the second, approached nearest to Giuseppe
in point of merit, and even surpassed him in dignity. He was employed in
works on a large scale for the churches of Lombardy and Tuscany, as well as
for the courts of the dukes of Massa, of Modena, and of Parma, in which
city he closed his days. Lorenzo, the third, chiefly assisted his brothers,
or if he had the misfortune to execute any works alone, he was rather
pitied than applauded. Pietro, the fourth brother, died young and
uncommemorated. There were two sons, the one of Giuseppe, the other of
Francesco, who were initiated by their parents in the same art. The first,
named Giambatista, became court-painter to the elector of Cologne; and the
second, who bore the same name, honourably occupied a similar rank at the
court of Charles, King of the two Sicilies, and in that of his son, a
station in which he died. Giuseppe educated a pupil of merit in Gio.
Batista Zaist, a name to which we have frequently referred. Memoirs of him
were collected by Sig. Panni, both his pupil and relation. To him also we
are indebted for the publication of the work of Zaist, by which we have
been guided in this account. It is a guide, however, not to be followed by
a reader who is in haste, inasmuch as he is found to proceed very
leisurely, and is very apt to go over the same ground again.
CHAPTER V.
SCHOOL OF MILAN.
EPOCH I.
_Account of the Ancients until the time of Vinci._
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