The style of this artist, who had assiduously employed himself under Solimene in Naples, is tolerable in regard to design. Though he painted for several churches in Pavia, and at Milan, he acquired most reputation from his small pictures, intended for private ornament. I am not certain whether he introduced into these parts those greenish tints in colouring, which, from Naples, spread through different schools, or whether it came by way of Turin, where one Corrado Giaquinto was employed in drawing figures, and in painting. Such method, however, did not here displease. Gioseffo Petrini da Carono, pupil to Prete of Genoa, has carried it to its highest point, while Piero Magatti of Varese is not wholly free from it, who flourished very recently: both were reputed good artists according to their time. Nor could so great a city be in want of some Venetian disciples, who have distinguished themselves in our own times; we behold some imitations of Piazzetta, and some of Tiepolo, in a few of the churches, it being usual with young artists to follow living masters in lucrative practice, in preference to the deceased whose emoluments are past. We ought here to insert the name of an eminent Milanese, who reflected honour on his native state in foreign parts. This was Francesco Caccianiga, well known at Rome, though little among his own countrymen. Having treated of him, however, in the Roman School, I shall merely recall his memory and merits to my readers. Neither must I omit his contemporary, Antonio Cucchi, who remained at Milan, not as his equal, but because he became eminent in the footsteps of the Romans, for the diligence, if not for the spirit of his pencil. Nor shall I pass over Ferdinando Porta, distinguished for a number of pictures, conducted in imitation of Coreggio; an artist, however, too inconstant and unequal to himself. These names will suffice for the present epoch, which produced, indeed, others of some note, but not known beyond the confines of their own state. Such works as the _Pitture d' Italia_, and the _Nuova Guida di Milano_, will furnish the curious with information respecting them, until some further accounts of them be presented to the public.