About the beginning of the seventeenth century, when the new civil government commenced at Ferrara, a new epoch also occurred in its pictoric school, which I call that of the Caracci. I can furnish no account respecting that Pietro da Ferrara, mentioned by Malvasia, along with Schedone, among the pupils of Lodovico Caracci. I have no where met with his name in any other work. Dismissing him, therefore, I may award the chief station in this epoch to two able artists, who acquired the taste, without entering into the academy of the Caracci. These were Bonone of the city of Ferrara, and Guercino belonging to the state; of whom, as residing so long with his school at Bologna, I have there written what need not here be repeated. They were succeeded by other painters in the Legation, nearly the whole of them pupils of Caracci's followers, or again of their disciples; insomuch, that what now remains of the Ferrarese School, is almost a continuation of that of Bologna. It is the crowning glory of the Ferrarese to have boasted superior emulators of the final school of Italy, as they had of all the preceding. But it is now time to proceed to the particulars. Carlo Bonone, called by the admirable Cochin invariably Bourini, was pupil to Bastaruolo. On being deprived of his master, he continued to exercise his acquired manner; but he subsequently inclined to the strong, to contrast of light and shadow, and to the difficult parts of composition, more than any other contemporary Ferrarese. I suspect that, despairing of competing in grace with Scarsellino, he intended to oppose him by a more robust and enlarged manner. Nor had he far to seek for it, while the Caracci flourished in Bologna. He left his native place; and perhaps passing through that city, he conceived the first idea of his new style. Arrived at Rome, he there continued above two years designing the beautiful from nature in the academy, and out of it from the works of art; and then returned to Bologna. Here he remained a year, "until he had mastered the character and colouring of the Caracci, and devoted himself exclusively to the principles and practice thus adopted, entirely renouncing all other manners." Thus states Baruffaldi; and adds, that he resided also at Venice, whence he departed more confounded than instructed, with the fixed intention of never in the least departing from the Caraccesque manner. He went also to Parma, and saw the works of Coreggio, according to some, though without departing from his maxim. What progress he made in the path thus selected, may be easily gathered from the opinions of experienced Bolognese, contained in different histories, who, on examining one of his works, ascribed it, without hesitation, to Lodovico Caracci; and it is also to be inferred from the public voice, which extols him as the Caracci of Ferrara.