The History of Painting in Italy, Vol. 5 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth CenturyLanzi, Luigi
History
The History of Painting in Italy, Vol. 5 (of 6): From the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
Lanzi, Luigi
Painting -- Italy -- History
The rules of the academy, introduced in Turin in 1778, have not subsisted
sufficiently long to allow us to judge of their result, as I have done with
regard to older establishments. They were given to the public the same
year, from the royal press;[78] and do honour as well to the good taste as
to the munificence of Victor Amadeus III. His august father had, indeed,
already prepared a domicile for the fine arts in the halls of the
university, and had founded the new academy of design, under the direction
of the first painter of the court. It has since received fresh lustre from
the patronage of the present king, and has been enlarged by professorships,
stipends, and laws, and aids of all kinds for studious youth. Turin has, in
the present day, exhibited productions in painting, such as, except in
Rome, are to be found in few capitals of Italy; and in architecture,
statuary, and bronze, stands almost unrivalled. I do not particularise the
living artists, as they may easily be found in the New City Guide, or in
the preface to volume xi. of Vasari, printed in Siena; and some of their
names have become better known from the voice of public applause than from
the pens of writers.
Footnote 78: There is annexed to them a learned Treatise, by
the Count Felice Durando di Villa, with very erudite and
copious notes.
I here close my History of the Art of Painting. The Indexes, which form the
sixth volume, the first, containing the nomenclature and the different ages
of the artists; the second, a list of the writers from whom I have derived
my information; and the third, a reference to some things more particularly
deserving of notice, will complete the work.
END OF VOL. V.
Transcriber's Notes:
Standardized spacing after apostrophes in Italian names and phrases.
Standardized inconsistent hyphenation. For consistency with prior volumes
in this series of books, 'bassi-rilievi' was changed to 'bassi-relievi' and
'master-piece' to 'masterpiece.'
Moved footnotes to the end of the paragraph in which the anchor occurs.
Retained archaic spelling and punctuation, except as noted below:
Public-domain text, read in full here on John Shaqi.
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