Saloon, royal, in the Vatican, ii. 127. Others at Rome, i. 277, ii. 128, 203, 204. Of the Pitti, at Florence, i. 300. Of the Palazzo Vecchio, i. 192, 248. Of the ducal palace at Venice, iii. 192, 225, &c. In Genoa, v. 243. Scagliola, works in, i. 346, iv. 70. Sea views, painters of, i. 326, ii. 248, 332, 444, iii. 385, v. 204. Slowness of artists, remarked in Ricciarelli, ii. 127. Punished in Laureti, ii. 151. Proverbial with some, i. 161, 416, v. 97. Injurious, 267, 268, 343. Corrected in Agostino Caracci, v. 97. _See also_ Diligence. Selection of style to be made according to the genius and disposition of the artist, i. 248, 307, 416. Surnames of painters, confounded and altered, _see_ Lamberto, Da Leccio, Sanmartino, &c. Derived by masters from their native place, and sometimes from that of their residence. _See_ Orsi, Lotto, &c. Murati, ii. 41, iii. 120. Statues, of Bonarruoti, i. 165, 166. Of Verrocchio, i. 151. Where it may be observed, that the Horse of Venice, which was cast by him, and did not succeed, was newly cast by Alessandro Leopardo, a Venetian. _Temanza._ Modelled by Vinci, _ib._; by Raffaello, ii. 82. Symbolical representations of living personages, borrowed from the history of illustrious ancients, i. 257, ii. 68. T. Tastes in painting, laudable, though different, i. 231. A certain taste not to be hastily changed at an advanced age, i. 205, 308, 417, v. 195, 196, and elsewhere. Tapestries, i. 45, 6, ii. 82, 343, v. 207, 308. Tenebrosi. A sect of painters in Venice, iii. 276, and in Bologna, v. 194. Partly occasioned by the bad priming colours, used also elsewhere, i. 283, iii. 276, v. 108; And the models of Caravaggio badly imitated, iv. 185. Theatres. Artists distinguished for decorating them, i. 217, 18. iv. 70. U. Unity of History, neglected by Raffaello, ii. 101; By Coreggio, iv. 108. _See also_ v. 470, 471. Urbino, ill provided with aids and conveniences for the art in the time of Raffaello, ii. 53. V. Variety, not studied by Pietro Perugino, nor by Bassano, ii. 31, iii. 201. Neglected by Taddeo Zuccari, ii. 135; and by the mannerists, ii. 264, iii. 207, v. 438, 439. Varnish, _see_ Restoration of ancient paintings. Virgin, Holy. Ancient Images of, i. 2, 348, ii. 9, 346, iv. 209, v. 67. Some painters celebrated for their Madonnas, i. 198, 310, ii. 95, 220, 278, 284, 315, iii. 52, 59, 116, 117, iv. 96, 261, 315, v. 19, 26, 106, 180, 224, 261, 314, 451, 462. W. Wax, used by the ancients in painting, i. 88. Works, connected with painting, considered by historians of the art, pref. xii. Written on painting, criticised by Algarotti, pref. xi.