The last mistress of Louis XIV. was the famous Madame de Maintenon, the widow of the poet Scarron; a person of remarkable abilities, and old enough to have recovered from the passions which were said to have disturbed her youth. She was introduced to the king as the governess of his illegitimate children, and by her arts contrived not only to wean the king's heart from his mistress, but even to alienate the children from their mother. For thirty-five years she wielded supreme control over Louis's mind; and whatever may be said of her early life, and however harsh a judgment must be formed of her political measures, it must be allowed that, in general, her influence was exercised for the good of religion and morality. Under her direction the court became positively devout. Intrigues were concealed, not ostentatiously paraded before the public eye; and the ladies by whom she was surrounded were obliged to lead at least outwardly decorous lives. She might not be able to check the monstrous practices of the Duke of Orleans; but much of the looseness of the court she could, and really did bring to an end. Her royal lover, who at first piqued himself upon rising as far above obligations of fidelity to his mistresses as he considered himself superior to political obligations to his people, resigned himself to the spiritual direction of the marquise, and allowed old age to assert its rights in condemning him to virtue. All things considered, the last twenty years of Louis XIV.'s reign was perhaps the most moral in the whole history of the monarchy. This is well illustrated in the history of the literature of the day. The leading philosophers, writers, and poets of the age of Louis XIV. forbore to shock decency, and may be read to-day as safely as any modern work. Preachers--Bossuet, Massillon, Bourdaloue--exercised a potent influence over the tone of letters and society. Corneille, Racine, and their contemporaries provided the stage with a repertory that could never bring a blush to the cheek. Even Molière, who did occasionally let slip a joke of questionable propriety, for the pit's sake, seems a daring innovator when he is contrasted with his predecessors. Decency is, in fact, one of the most striking characteristics of the literature of the age.