The History of Prostitution: Its Extent, Causes, and Effects throughout the WorldSanger, William W.
History
The History of Prostitution: Its Extent, Causes, and Effects throughout the World
Sanger, William W.
Prostitution
Registered prostitutes were to be found in the establishments called
Lupanaria. These differed from the Greek Dicteria in being of various
classes, from the well-provided house of the Peace ward to the filthy dens
of the Esquiline and Suburran wards; and farther, in the wide range of
prices exacted by the keepers of the various houses. It is inferred from
the results of the excavations at Pompeii, and some meagre hints thrown
out by Latin authors, that the lupanaria at Rome were small in size. The
most prosperous were built like good Roman houses, with a square
court-yard, sometimes with a fountain playing in the middle. Upon this
yard opened the cells of the prostitutes. In smaller establishments the
cells opened upon a hall or porch, which seemingly was used as a
reception-room. The cells were dark closets, illuminated at night by a
small bronze lamp. Sometimes they contained a bed, but as often a few
cushions, or a mere mat, with a dirty counterpane, constituted their whole
furniture. Over the door of each cell hung a tablet, with the name of the
prostitute who occupied it, and the price she set on her favors; on the
other side with the word _occupata_. When a prostitute received a visitor
in her cell, she turned the tablet round to warn intruders that she was
engaged.[99] Over the door of the house a suggestive image was either
painted, or represented in stone or marble: one of these signs may be seen
to this day in Pompeii. Within, similar indecent sculptures abounded.
Bronze ornaments of this style hung round the necks of the courtesans; the
lamps were in the same shape, and so were a variety of other utensils. The
walls were covered with appropriate frescoes. In the best-ordered
establishments, it is understood that scenes from the mythology were the
usual subjects of these artistic decorations; but we have evidence enough
at Pompeii to show that gross indecency, not poetical effect, was the main
object sought by painters in these works.
Regular houses of prostitution, _lupanaria_, were of two kinds:
establishments owned and managed by a bawd, who supplied the cells with
slaves or hired prostitutes, and establishments where the bawd merely let
his cells to prostitutes for a given sum. In the former case the bawd was
the principal, in the latter the women. There is reason to suppose that
the former were the more respectable. Petronius alludes to a house where
so much was paid for the use of a cell, and the sum was an _as_, less than
two cents.[100] Messalina evidently betook herself to one of these
establishments, which, for clearness' sake, we may call assignation
houses; and as it appears she was paid in copper (_æra poposcit_), it is
safe to infer that the house was of slender respectability.
Public-domain text, read in full here on John Shaqi.
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