The History of Roman Literature: From the Earliest Period to the Death of Marcus AureliusCruttwell, Charles Thomas
Philosophy
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Cruttwell, Charles Thomas
Latin literature -- History and criticism
As to the amount of historical matter contained in the Annals, it is
impossible to pronounce with confidence. Their falsification through
family and patrician pride is well known. But the earliest historians must
have possessed sufficient insight to distinguish the obviously fabulous.
We cannot suspect Cato of placing implicit faith in mythical accounts. He
was no friend to the aristocratic families or their records, and took care
to check them by the rival records of other Italian tribes. Sempronius
Asellio, in a passage already alluded to (ap. Gell. v. 18), distinguishes
the annalistic style as puerile (_fabulas pueris narrare_); the historian,
he insists, should go beneath the surface, and understand what he relates.
On comparing the early chronicles of Rome with those of St Bertin and St
Denys of France, there appears no advantage in a historical point of view
to be claimed by the latter; both contain many real events, though both
seek to glorify the origin of the nation and its rulers by constant
instances of divine or saintly intervention.
CHAPTER X.
THE HISTORY OF ORATORY BEFORE CICERO.
As the spiritual life of a people is reflected in their poetry, so their
living voice is heard in their oratory. Oratory is the child of freedom.
Under the despotisms of the East it could have no existence; under every
despotism it withers. The more truly free a nation is, the greater will
its oratory be. In no country was there a grander field for the growth of
oratorical genius than in Rome. The two countries that approach nearest to
it in this respect are beyond doubt Athens and England. In both eloquence
has attained its loftiest height, in the one of popular, in the other of
patrician excellence. The eloquence of Demosthenes is popular in the
noblest sense. It is addressed to a sovereign people who knew that they
were sovereign. Neither to deliberative nor to executive did they for a
moment delegate that supreme power which it delighted them to exercise. He
that had a measure or a bill to propose had only to persuade them that it
was good, and the measure passed, the bill became law. But the audience he
addressed, though a popular, was by no means an ordinary one. It was
fickle and capricious to a degree exceeding that of all other popular
assemblies; it was critical, exacting, intellectual, in a still higher
degree. No audience has been more swayed by passion; none has been less
swayed by the pretence of it. Always accessible to flattery, Athens counts
as her two greatest orators the two men who never stooped to flatter her.
The regal tones of Pericles, the prophetic earnestness of Demosthenes, in
the response which each met, bear witness to the greatness of those who
heard them. Even Cleon owed his greatest triumphs to the plainness with
which he inveighed against the people's faults. Intolerant of inelegance
and bombast, the Athenians required not only graceful speech, but speech
to the point.
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