Besides Varro, we hear of TICIDAS, of MEMMIUS the friend of Lucretius, of C. HELVIUS CINNA, and C. LICINIUS CALVUS, as writers of erotic poetry. The last two were also eminent in other branches. Cinna (50 B.C.), who is mentioned by Virgil as a poet superior to himself, [102] gained renown by his _Smyrna_, an epic based on the unnatural love of Myrrha for her father Cinyras, [103] on which revolting subject he bestowed nine years [104] of elaboration, tricking it out with every arid device that pedantry's long list could supply. Its learning, however, prevented it from being neglected. Until the _Aeneid_ appeared, it was considered the fullest repository of choice mythological lore. It was perhaps the nearest approach ever made in Rome to an original Alexandrine poem. Calvus (82-47 B.C.), who is generally coupled with Catullus, was a distinguished orator as well as poet. Cicero pays him the compliment of honourable mention in the _Brutus_, [105] praising his parts and lamenting his early death. He thinks his success would have been greater had he forgotten himself more. This egotism was probably not wanting to his poetry, but much may be excused him on account of his youth. It is difficult to form an opinion of his style; the epithets, _gravis, vehemens, exilis_ (which apply rather to his oratory than to his poetry), seem contradictory; the last strikes us as the most discriminating. Besides short elegies like those of Catullus, he wrote an epic called _Io_, as well as lampoons against Pompey and other leading men. We possess none of his fragments.