The History of Roman Literature: From the Earliest Period to the Death of Marcus AureliusCruttwell, Charles Thomas
Philosophy
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Cruttwell, Charles Thomas
Latin literature -- History and criticism
Appended to Ovid's works are several graceful poems which have put forward
a claim to be his workmanship. His great popularity among the schools of
the rhetoricians both in Rome and the provinces, caused many imitations to
be circulated under his name. The most ancient of these is the _Nux
elegia_, which, if not Ovid's, must be very shortly posterior to him; it
is the complaint of a walnut tree on the harsh treatment it has to suffer,
sometimes in very difficult verse, [54] but not inelegant. Some of the
_Priapeia_ are also attributed to him, perhaps with reason; the
_Consolatio ad Liviam_, on the death of Drusus, is a clever production of
the Renaissance period, full of reminiscences of Ovid's verse, much as the
_Ciris_ is filled with reminiscences of Virgil. [55]
Ovid was the most brilliant figure in a gay circle of erotic and epic
poets, many of whom he has handed down in his _Epistles_, others have
transmitted a few fragments by which we can estimate their power. The
eldest was PONTICUS, who is also mentioned by Propertius as an epic writer
of some pretensions. Another was MACER, whose ambition led him to group
together the epic legends antecedent and subsequent to those narrated in
the _Iliad_ and _Odyssey_. There was a Pompeius Macer, an excellent man,
who with his son committed suicide under Tiberius, [56] his daughter
having been accused of high treason, and unable to clear herself. The son
is probably identical with this friend of Ovid's. SABINUS, another of his
intimates, who wrote answers to the _Heroides_, was equally conspicuous in
heroic poetry. The title of his poem is not known. Some think it was
_Troezen_; [57] but the text is corrupt. Ovid implies [58] that his
rescripts to the _Heroides_ were complete; it is a misfortune that we have
lost them. The three poems that bear the title of _A. Sabini Epistolae_,
and are often bound with Ovid's works, are the production of an Italian
scholar of the fifteenth century. TUTICANUS, who was born in the same year
with Ovid, and may perhaps have been the author of Tibullus's third book,
is included in the last epistle from Pontus [59] among epic bards.
CORNELIUS SEVERUS, a better versifier than poet, [60] wrote a _Sicilian
War_, [61] of which the first book was extremely good. In it occurred the
verses on the death of Cicero, quoted by the elder Seneca [62] with
approbation:
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