The History of Roman Literature: From the Earliest Period to the Death of Marcus AureliusCruttwell, Charles Thomas
Philosophy
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Cruttwell, Charles Thomas
Latin literature -- History and criticism
legendary outline, where Dionysius constructs a whole edifice of probable
but utterly uncertified particulars. In the important task of sifting
authorities Livy follows the plan of selecting the most ancient, and those
who from their position had best access to facts. In complicated cases of
divergence he trusts the majority, [29] the earliest, [30] or the most
accredited, [31] particularly Fabius and Piso. [32] He does not analyse
for us his method of arriving at a conclusion. "Erudition is for him a
mine from which the historian should draw forth the pure gold, leaving the
mud where he found it." Many of his conclusions are reached by a sort of
instinct, which by practice divines truth, or rather verisimilitude, which
is but too often its only available substitute.
So far as enthusiasm serves (and without it criticism, though it may
succeed in destroying, is helpless to construct), Livy penetrates to the
spirit of ancient times. He says himself, in a very celebrated passage
where he bewails the prevailing scepticism, [33] "Non sum nescius ab eadem
neglegentia qua nihil portendere deos volgo nunc credunt neque nuntiari
admodum ulla prodigia in publicum neque in annales referri. Ceterum et
mihi vetustas res scribenti nescio quo pacto antiquus fit animus et
quaedam religio tenet, quae illi prudentissimi viri publice suscipienda
curarint, ea pro indignis habere quae in meos annales referam." This
"antiquity of soul" is not criticism, but it is an important factor in it.
In the history of the kings he is a poet. If we read the majestic sentence
in which the end of Romulus is described, [34] we must admit that if the
event is told at all this is the way in which it should be told. We meet,
however, here and there, with genuine insertions from antiquity which
spoil the beauty of the picture. Take, _e.g._, the law of treason, [35]
terrible in its stern accents, "Duumviri perduellionem iudicent: si a
duumviris provocarit, provocatione certato: si vincent, caput obnubito:
infelici arbori reste suspendito: verberato vel intra pomoerium vel extra
pomoerium," where, as the historian remarks, the law scarcely hints at the
possibility of an acquittal. In the struggles of the young Republic one
traces the risings of political passion, not of individuals as yet, but of
parties in the state. After the Punic wars have begun individual features
predominate, and what has been a rich canvass becomes a speaking portrait.
Constitutional questions, in which Livy is singularly ill informed, are
hinted at, [36] but generally in so cursory and unintelligent a way, that
it needs a Niebuhr to elicit their meaning. And Livy is throughout led
into fallacious views by his confusion of the mob (_faex Romuli_, as
Cicero calls it) which represented the sovereign people in his day, with
the sturdy and virtuous plebs, whose obstinate insistance on their right
forms the leading thread of Roman constitutional development. Conformably
Public-domain text, read in full here on John Shaqi.
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