The History of Roman Literature: From the Earliest Period to the Death of Marcus AureliusCruttwell, Charles Thomas
Philosophy
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Cruttwell, Charles Thomas
Latin literature -- History and criticism
Calpurnius Piso, who were younger contemporaries, continued in the same
track, and we hear of other minor historians. Cassius is mentioned more
than once as "_antiquissimus auctor_," a term of compliment as well as
chronological reference. [33] Of him Niebuhr says: "He wrote about Alba
according to its ancient local chronology, and synchronised the earlier
periods of Rome with the history of Greece. He treated of the age before
the foundation of Rome, whence we have many statements of his about
Siculian towns in Latium. The archaeology of the towns seems to have been
his principal object. The fourth book of his work bore the title of
_Punicum bellum posterius_, from which we infer that the last war with
Carthage had not as yet broken out."
About this epoch flourished Q. FABIUS MAXIMUS SERVILIANUS, who is known to
have written histories. He is supposed to be miscalled by Cicero, [34]
Fabius Pictor, for Cicero mentions a work in Latin by the latter author,
whereas it is certain that the old Fabius wrote only in Greek. The best
authorities now assume that Fabius Maximus, as a clansman and admirer of
Pictor, translated his book into Latin to make it more widely known. The
new work would thus be indifferently quoted as Fabius Pictor or Fabius
Maximus.
L. CALPURNIUS PISO FRUGI CENSORIUS (Cons. 133), well known as the
adversary of the Gracchi, an eloquent and active man, and staunch adherent
of the high aristocratic party, was also an able writer of history. That
his conception of historical writing did not surpass that of his
predecessors the annalists, is probable from the title of his work; [35]
that he brought to bear on it a very different spirit seems certain from
the quotations in Livy and Dionysius. One of the select few, in breadth of
views as in position, he espoused the rationalistic opinions advocated by
the Scipionic circle, and applied them with more warmth than judgment to
the ancient legends. Grote, Niebuhr, and others, have shown how
unsatisfactory this treatment is; illusion is lost without truth being
found; nevertheless, the man who first honestly applies this method,
though he may have ill success, makes an epoch in historical research.
Cicero gives him no credit for style; his annals (he says) are written in
a barren way. [36] The reader who wishes to read Niebuhr's interesting
judgment on his work and influence is referred to the _Introductory
Lectures on Roman History_. In estimating the very different opinions on
the ancient authors given in the classic times, we should have regard to
the divers standards from time to time set up. Cicero, for instance, has a
great fondness for the early poets, but no great love for the prose
writers, except the orators, nearly all of whom he loads with praise.
Still, making allowance for this slight mental bias, his criticisms are of
the utmost possible value. In the Augustan and early imperial times,
antiquity was treated with much less reverence. Style was everything, and
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