We have now mentioned three historians, each of whom brought his original contribution to the task of narrating events. Cato rose to the idea of Rome as the centre of an Italian State; he held any account of her institutions to be imperfect which did not also trace from their origin those of the kindred nations; Piso conceived the plan of reducing the myths to historical probability, and Asellio that of tracing the moral causes that underlay outward movements. Thus we see a great advance in theory since the time, just a century earlier, when Fabius wrote his annals. We now meet with a new element, that of rhetorical arrangement. No one man is answerable for introducing this. It was in the air of Rome during the seventh century, and few were unaffected by it. Antipater is the first to whom rhetorical ornament is attributed by Cicero, though his attainments were of a humble kind. [42] He was conspicuous for word painting. Scipio's voyage to Africa was treated by him in an imaginative theatrical fashion, noticed with disapproval by Livy. [43] In other respects he seems to have been trustworthy and to have merited the honour he obtained of being abridged by J. Brutus. In the time of Sulla we hear of several historians who obtained celebrity. The first is CLAUDIUS QUADRIGARIUS (fl. 100 B.C.). He differs from all his predecessors by selecting as his starting-point the taking of Rome by the Gauls. His reason for so doing does him credit, viz. that there existed no documents for the earlier period. [44] He hurried over the first three centuries, and as was usual among Roman writers, gave a minute account of his own times, inserting documents and speeches. So archaic was his style that his fragments might belong to the age of Cato. For this reason, among others, Gellius [45] (in whom they are found) greatly admires him. Though he outlived Sulla, and therefore chronologically might be considered as belonging to the Ciceronian period, yet the lack of finish in his own and his contemporaries' style, makes this the proper place to mention them. The _period_, [46] as distinct from the mere stringing together of clauses, was not understood even in oratory until Gracchus, and in history it was to appear still later. Cicero never mentions Claudius, nor VALERIUS ANTIAS (91 B.C.), who is often associated with him. This writer, who has gained through Livy's page the unenviable notoriety of being the most lying of all annalists, nevertheless obtained much celebrity. The chief cause of his deceptiveness was the fabrication of circumstantial narrative, and the invention of exact numerical accounts. His work extended from the first mythical stories to his own day, and reached to at least seventy-five books. In his first decade Livy would seem to have followed him implicitly. Then turning in his later books to better authorities, such as Polybius, and perceiving the immense discrepancies, he realised how he had been led astray, and in revenge attacked Antias