VI. The binding of ancient manuscripts affords specimens of silk. A French translation of Ludolphus Saxo’s Life of Christ in four folio volumes, among Dr. William Hunter’s MSS. at Glasgow, still has its original binding covered with red velvet, which is probably as old as the _fourteenth_ century. A curious source of information on the art of book-binding at that period is the Inventory, or Catalogue of the library collected by that ardent lover of books, Charles V. of France. As this catalogue particularly describes the bindings of about 1200 volumes, many of which were very elaborate and splendid, it enables us to judge of the use made of all the most valuable stuffs and materials which could be employed for this purpose, and under the head of silk we find the following: “soie,” silk; “veluyau,” velvet; “satanin,” satin; “damas,” damask; “taffetas,” taffetas; “camocas;” “cendal;” and “drap d’or,” cloth of gold, having probably a basis or ground of silk[103]. From the few examples of ancient Catholic vestments that have escaped destruction, the generality of persons are but little acquainted with the extreme beauty of the embroidery worked for ecclesiastical purposes during the Middle Ages. The countenances of the images were executed with perfect expression, like miniatures in illuminated manuscripts. Every parochial church, previous to the Reformation, was furnished with complete sets of frontals and hangings for the altars. One of the great beauties of the ancient embroidery was its appropriate design; each flower, leaf, and device having a significant meaning with reference to the festival to which the vestment belonged. Such was the extreme beauty of the English vestments in the reign of Henry III., that Innocent IV. forwarded bulls to many English bishops, enjoining them to send a certain quantity of embroidered vestments to Rome, for the use of the clergy[104]. [103] See Inventaire de l’Ancienne Bibliothèque du Louvre, fait en l’année 1373. Paris, 1836, 8vo. [104] The art of embroidery seems to have attained a higher degree of perfection in France, than any other country in Europe;--it is not, however, so much practised now. Embroiderers formerly composed a great portion of the working population of the largest towns; laws were specially framed for their protection, some of which would astonish the working people of the present day. They were formed into a company as early as 1272, by Etienne Boileau, Prévot de Paris, under their respective names of “Brodeurs, Découpeurs, Egratigneurs, and Chasubliers.”