There is no circumstance that renders the filigree a matter of greater curiosity than the coarseness of the tools employed in the workmanship, and which, in the hands of a European, would not be thought sufficiently perfect for the most ordinary purposes. They are rudely and inartificially formed by the goldsmith (pandei) from any old iron he can procure. When you engage one of them to execute a piece of work his first request is usually for a piece of iron hoop to make his wire-drawing instrument; an old hammer head, stuck in a block, serves for an anvil; and I have seen a pair of compasses composed of two old nails tied together at one end. The gold is melted in a piece of a priuk or earthen rice-pot, or sometimes in a crucible of their own making, of common clay. In general they use no bellows but blow the fire with their mouths through a joint of bamboo, and if the quantity of metal to be melted is considerable three or four persons sit round their furnace, which is an old broken kwali or iron pot, and blow together. At Padang alone, where the manufacture is more considerable, they have adopted the Chinese bellows. Their method of drawing the wire differs but little from that used by European workmen. When drawn to a sufficient fineness they flatten it by beating it on their anvil; and when flattened they give it a twist like that in the whalebone handle of a punch-ladle, by rubbing it on a block of wood with a flat stick. After twisting they again beat it on the anvil, and by these means it becomes flat wire with indented edges. With a pair of nippers they fold down the end of the wire, and thus form a leaf or element of a flower in their work, which is cut off. The end is again folded and cut off till they have got a sufficient number of leaves, which are all laid on singly. Patterns of the flowers or foliage, in which there is not very much variety, are prepared on paper, of the size of the gold plate on which the filigree is to be laid. According to this they begin to dispose on the plate the larger compartments of the foliage, for which they use plain flat wire of a larger size, and fill them up with the leaves before mentioned. To fix their work they employ a glutinous substance made of the small red pea with a black spot before mentioned, ground to a pulp on a rough stone. This pulp they place on a young coconut about the size of a walnut, the top and bottom being cut off. I at first imagined that caprice alone might have directed them to the use of the coconut for this purpose; but I have since reflected on the probability of the juice of the young fruit being necessary to keep the pulp moist, which would otherwise speedily become dry and unfit for the work. After the leaves have been all placed in order and stuck on, bit by bit, a solder is prepared of gold filings and borax, moistened with water, which they strew or daub over the plate with a feather, and then putting it in the fire for a short time the whole becomes united.