The History of Tammany Hall: Second EditionMyers, Gustavus
History
The History of Tammany Hall: Second Edition
Myers, Gustavus
New York (N.Y.) -- Politics and government; Tammany Hall (Political organization)
But the new County Court House, the _Times_ demonstrated, was the
chief means of directly robbing the city. All told, so far as could
be learned, the sum of $3,500,000 had been spent for “repairs” in
thirty-one months--enough, the _Times_ said, to have built and
furnished five new buildings such as the County Court House. Merely the
furnishing, repairing and decorating of this building, it was shown,
cost $7,000,000. One firm alone--Ingersoll & Co.--received, in two
years, the gigantic sum of $5,600,000 “for supplying the County Court
House with furniture and carpets.” In brief, the County Court House, it
was set forth specifically, instead of costing between $3,000,000 and
$5,000,000, as the “ring” all along had led the public to believe, had
actually cost over $12,000,000, the bulk of which was stolen.
The members of the “ring” affected an air of unconcern regarding the
disclosures. When Tweed was questioned as to the charges, he made his
famous reply: “What are you going to do about it?” He professed not
to care for newspaper attacks. Yet Thomas Nast’s terribly effective
cartoons pierced him to the heart. “If those picture papers would
only leave me alone,” he lamented, “I wouldn’t care for all the rest.
The people get used to seeing me in stripes, and by and by grow to
think I ought to be in prison.” Mayor Hall put on an air of jocose
indifference, occasionally replying to the charges by references to the
alleged frauds in the Federal Government,[1] but oftener by wondrously
facetious jests such as: “Counts at Newport are at a discount”;
“shocking levity--the light-ship off Savannah has gone astray”; “these
warm, yet occasionally breezy days, with charmingly cool mornings and
evenings, are an indication that we are likely to have what befell
Adam--an early Fall.”[2]
Public-domain text, read in full here on John Shaqi.
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