Some degree of blame is everywhere incurred by a widow who marries again within the time prescribed by custom; which is usually one year. Black is the color of European mourning. The queens of France formerly wore white as an emblem of widowhood, and were therefore called _reines blanches_; but this custom was changed by Anne of Bretagne, who assumed black when Charles the Eighth died. The empress dowagers of Austria never lay aside their mourning, and their apartments are always hung with black. In England, the mourning worn on the death of any of the royal family is purple. The nieces of the pope never wear mourning for any relation. I believe France is the only country in Europe where women do not inherit the crown. There has been a comparatively greater proportion of good queens, than of good kings. Perhaps it may be that women, distrustful of their own strength, pay more attention to the public voice, and their government thus acquires something of the character of elective monarchies. But independent of this circumstance, illustrious queens have generally purchased celebrity by individual strength of character. In England, nothing was more common than to hear the people talk of king Elizabeth and queen James. Margaret, queen of Denmark and Norway, was called the Semiramis of the North, on account of her capacity to plan and conduct great projects. Spain numbers among her sovereigns no one that can dispute precedence with the virtuous and highly-gifted Isabella of Castile. The annals of Africa furnish no example of a monarch equal to the brave, intelligent, and proud-hearted Zhinga, the negro queen of Angola; and Catherine of Russia bears honorable comparison with Peter the Great. Blanche of Castile evinced great ability in administering the government of France, during the minority of her son; and similar praise is due to Caroline of England, during the absence of her husband. In the walks of literature, women have gained abundant and enduring laurels; but it cannot be truly said that a Homer, a Shakspeare, a Milton, or a Newton have ever appeared among them. It is somewhat singular that instances of great genius in the fine arts have been more rare among women than any other manifestations of talent. Propertia da Rossi, of Bologna, and the Hon. Mrs. Damer, of England, did indeed gain a considerable degree of distinction as sculptors, and Angelica Kauffman had a high reputation as a painter; but these ladies have had few competitors. Yet in works requiring delicacy, ingenuity, imagination, and taste, women are proverbial for excellence.