The spirit of chivalry blazed forth anew in the literature of that period. Many pens were employed in framing the panegyrics of illustrious women; and Italy was peculiarly distinguished for these performances. Boccacio set the example in his Panegyric de Claris Mulieribus. After this, innumerable writers published eulogies on the celebrated women of all nations. These volumes paved the way for the discussion of the merits of women in general; and the pre-eminence of female character over that of men, was proposed for a question in public debate. In this discussion, Cornelius Agrippa boldly asserted the superiority of women. Peter Paul de Ribera, an Italian, published a work entitled, “The immortal Triumphs and heroic Enterprises of eight hundred and forty-five Women.” But even this ample panegyric is less singular than a publication at Venice, in 1555, called “The Temple of the divine Signora Joan of Arragon; erected in her honor by all the greatest wits, and in all the principal languages of the world.” The society which conceived this method of deification, disputed upon one point only; viz. whether Joan of Arragon should possess the honors of the temple alone, or share them with her celebrated sister, the marchioness de Gaust. After mature deliberation, it was decided that two sovereigns ought not to sit on the same throne; it was therefore resolved by the academy, “that the marchioness have separate worship, and Joan of Arragon remain in the sole and exclusive possession of her altars.” Latin, Greek, Italian, French, Spanish, Sclavonian, Hebrew, Chaldaic, and many other languages, were combined in this singular monument to woman’s fame. In the midst of all this adulation, women were not backward in vindicating their own claims. Several Italian ladies wrote books to prove the comparative inferiority of men; and the French women espoused the cause with equal zeal. The most conspicuous among them was Margaret of Navarre, the first wife of Henry the Fourth, who undertook to prove that “woman is much superior to man.” This princess, like Elizabeth of England, made use of expressions so gross, that we in modern times can hardly realize they came from a woman.