The History of the Crusades (vol. 2 of 3)Michaud, J. Fr. (Joseph Fr.)
History
The History of the Crusades (vol. 2 of 3)
Michaud, J. Fr. (Joseph Fr.)
Crusades
Nicetas, whose opinions are not wanting in moderation, never speaks of
this prince but with a sort of anger and violence. According to the
historian of Byzantium, “Alexius had a countenance resembling that of
the exterminating angel; he was a true incendiary; and far from being
afflicted by the burning of his capital, he would have wished to see
the whole city reduced to ashes.” Isaac himself accused his son of
having pernicious inclinations, and of corrupting himself daily by an
intercourse with the wicked; he was indignant that the name of Alexius
should be proclaimed at court and in public ceremonies, whilst that
of Isaac was rarely mentioned. In his blind anger, he loaded the young
emperor with imprecations; but, governed by a vain jealousy, much more
than by any proper sentiment of dignity, whilst he applauded the hatred
of the people for Alexius, he evaded the duties of a sovereign, and did
nothing to merit the esteem of men of worth. Isaac lived retired in
his palace, surrounded by monks and astrologers, who, whilst kissing
his hands still scarred with the irons of his captivity, celebrated
his power, made him believe that he would deliver Jerusalem, that he
would plant his throne upon Mount Libanus, and would reign over the
whole universe. Full of confidence in an image of the Virgin which he
always carried with him, and boasting of being acquainted, by means
of astrology, with all the secrets of policy, he could yet imagine,
to prevent sedition, nothing more effective than to have transported
from the hippodrome to his palace, the statue of the wild boar of
Calydon, which was considered the symbol of revolt and the image of an
infuriated people.
The people of Constantinople, no less superstitious than Isaac,
whilst deploring the evils of their country, laid the blame upon both
marble and brass. A statue of Minerva which decorated the Square of
Constantine, had its eyes and arms turned towards the West; it was
believed that she had called in the barbarians, and the statue was torn
down and dashed to pieces by an exasperated mob:[111] “cruel blindness
of the Greeks,” cries an historical _bel esprit_,[112] “who took arms
against themselves, and could not endure in their city the image of a
goddess who presides over prudence and valour!”
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