251 (return) [ The princes who by their birth or their adoption belonged to the family of the Cæsars, took the name of Cæsar. After the death of Nero, this name designated the Imperial dignity itself, and afterwards the appointed successor. The time at which it was employed in the latter sense, cannot be fixed with certainty. Bach (Hist. Jurisprud. Rom. 304) affirms from Tacitus, H. i. 15, and Suetonius, Galba, 17, that Galba conferred on Piso Lucinianus the title of Cæsar, and from that time the term had this meaning: but these two historians simply say that he appointed Piso his successor, and do not mention the word Cæsar. Aurelius Victor (in Traj. 348, ed. Artzen) says that Hadrian first received this title on his adoption; but as the adoption of Hadrian is still doubtful, and besides this, as Trajan, on his death-bed, was not likely to have created a new title for his successor, it is more probable that Ælius Verus was the first who was called Cæsar when adopted by Hadrian. Spart. in Ælio Vero, 102.—W.] Chapter III: The Constitution In The Age Of The Antonines.—Part II. The tender respect of Augustus for a free constitution which he had destroyed, can only be explained by an attentive consideration of the character of that subtle tyrant. A cool head, an unfeeling heart, and a cowardly disposition, prompted him at the age of nineteen to assume the mask of hypocrisy, which he never afterwards laid aside. With the same hand, and probably with the same temper, he signed the proscription of Cicero, and the pardon of Cinna. His virtues, and even his vices, were artificial; and according to the various dictates of his interest, he was at first the enemy, and at last the father, of the Roman world. 26 When he framed the artful system of the Imperial authority, his moderation was inspired by his fears. He wished to deceive the people by an image of civil liberty, and the armies by an image of civil government. 26 (return) [ As Octavianus advanced to the banquet of the Cæsars, his color changed like that of the chameleon; pale at first, then red, afterwards black, he at last assumed the mild livery of Venus and the Graces, (Cæsars, p. 309.) This image, employed by Julian in his ingenious fiction, is just and elegant; but when he considers this change of character as real and ascribes it to the power of philosophy, he does too much honor to philosophy and to Octavianus.]