Great and varied as were the powers of Sir Robert Peel as a public
speaker, he was not an orator in the strictest and highest sense of that
word. True oratory is the offspring of genius, and he, gifted though he
was, had not the sacred fire of genius in his soul. In the style which
he adopted, and which was probably the best suited to his natural
powers, he was all but perfect: lucid, argumentation, frank, at least in
seeming, bland, persuasive; always singularly respectful not only to the
House, but to the humblest member of it; his speeches partook more of
the lecture and less of oratorical display than those of most other
public men with anything like his reputation; but they were admirably
suited to an educated and deliberative assembly like the House of
Commons--and hence he influenced--almost ruled it, as no other man did
before or since. Knowing this, he never felt so happy or so much at home
as in that scene of his labours and his triumphs. His gesture was
inferior: he used it but seldom, and when he did it added neither to the
grace nor effectiveness of his delivery. He sometimes appeared to be at
a loss to know what to do with his arms: at one time he would thrust his
thumbs into the armholes of his vest; at another he would let his arms
fall into a sort of swinging motion at his sides, where he allowed,
rather than used them, to toss back his coatskirts in a confused,
undignified manner.
He never spoke on important questions without careful preparation, as
was always evident from the facts and arguments of which his speeches
chiefly consisted, as well as from their careful arrangement. His voice
was fine, and he had the skill, rare enough in public speakers, of
modulating it with excellent effect.
Public-domain text, read in full here on John Shaqi.
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