Subsequently, in the reign of Charles the Second, the fine open area of the body of the church was filled with long rows of stiff and formal pews, which concealed the bases of the columns, while the plain but handsome stone walls of the sacred edifice were encumbered, to a height of eight feet from the ground, with oak wainscoting, which was carried entirely round the church, so as to shut out from view the elegant marble piscina on the south side of the building, the interesting arched niches over the high altar, and the _sacrarium_ on the eastern side of the edifice. The elegant gothic arches connecting the Round with the oblong portion of the building were filled up with an oak screen and glass windows and doors, and with an organ-gallery adorned with Corinthian columns and pilastres and Grecian ornaments, which divided the building into two parts, altogether altered its original character and appearance, and sadly marred its architectural beauty. The eastern end of the church was, at the same time, disfigured with an enormous altarpiece in the _classic_ style, decorated with Corinthian columns and Grecian cornices and entablatures, and with enrichments of cherubims and wreaths of fruit, leaves, and flowers, exquisitely carved and beautiful in themselves, but heavy and cumbrous, and quite at variance with the gothic character of the edifice. A huge pulpit and sounding-board, elaborately carved, were also erected in the middle of the nave, forming a great obstruction to the view of the interior of the building, and the walls and all the columns were thickly clustered and disfigured with mural monuments. All these unsightly and incongruous additions to the antient fabric have, thanks to the good taste and the public spirit of the Masters of the Benches of the societies of the Inner and Middle Temple, been recently removed; the ceiling of the church has been repainted; the marble columns and the tesselated pavement have been restored, and the venerable structure has now been brought back to its antient condition. The historical associations and recollections connected with the Temple Church throw a powerful charm around the venerable building. During the holy fervour of the crusades, the kings of England and the haughty legates of the pope were wont to mix with the armed bands of the Templars in this their chief ecclesiastical edifice in Britain. In the twelfth and thirteenth centuries some of the most remarkable characters of the age were buried in the Round, and their mail-clad marble monumental effigies, reposing side by side on the cold pavement, still attract the wonder and admiration of the inquiring stranger.