The History of the Knights Templars, the Temple Church, and the TempleAddison, C. G. (Charles Greenstreet)
History
The History of the Knights Templars, the Temple Church, and the Temple
Addison, C. G. (Charles Greenstreet)
Templars -- History
The marble columns supporting the pointed arches of the roof, four in
number on each side, do not consist of independent shafts banded together,
as in the Round, but form solid pillars which possess vast elegance and
beauty. Attached to the walls of the church, in a line with these pillars,
are a series of small clustered columns, composed of three slender shafts,
the central one being of Purbeck marble, and the others of Caen stone;
they are bound together by a band at their centres and their bases, which
are of Purbeck marble, rest on a stone seat or plinth, which extends the
whole length of the body of the church. These clustered columns, which are
placed parallel to the large central pillars, are surmounted by foliated
capitals, from whence spring the groined ribs which traverse the vaulted
ceiling of the roof. The side walls are thus divided into five
compartments on either side, which are each filled up with a triple
lancet-headed window, of a graceful form, and richly ornamented. It is
composed of three long narrow openings surmounted by pointed arches, the
central arch rising above the lateral ones. The mouldings of the arches
rest upon four slender marble columns which run up in front of the stone
mullions of the windows, and impart to them great elegance and beauty. The
great number of these windows, and the small intervening spaces of blank
wall between them, give a vast lightness and airiness to the whole
structure.
Immediately beneath them is a small cornice or stringing course of Purbeck
marble, which runs entirely round the body of the church, and supports the
small marble columns which adorn the windows.
The roof is composed of a series of pointed arches supported by groined
ribs, which, diverging from the capitals of the columns, cross one another
at the centre of the arch, and are ornamented at the point of intersection
with richly-carved bosses. This roof is composed principally of chalk, and
previous to the late restoration, had a plain and somewhat naked
appearance, being covered with an uniform coat of humble whitewash. On
the recent removal of this whitewash, extensive remains of an ancient
painted ceiling were brought to light, and it was consequently determined
to repaint the entire roof of the body of the church according to a design
furnished by Mr. Willement.
Public-domain text, read in full here on John Shaqi.
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