As regards the remaining monumental effigies in the Temple Church, it appears utterly impossible at this distance of time to identify them, as there are no armorial bearings on their shields, or aught that can give us a clue to their history. There can be no doubt but that two of the figures are intended to represent William Marshall, junior, and Gilbert Marshall, both earls of Pembroke, and sons of the Protector. Matthew Paris tells us that these noblemen were buried by the side of their father in the Temple Church, and their identification would consequently have been easy but for the unfortunate removal of the figures from their original situations by the immortal _Roger Gillingham_. Next to the Lord de Ros reposes a stern warrior, with both his arms crossed on his breast. He has a plain wreath around his head, and his shield, which has no armorial bearings, is slung on his left arm. By the side of this figure is a coaped stone, which formed the lid of an antient sarcophagus. The ridges upon it represent a cross, the top of which terminates in a trefoil, whilst the foot rests on the head of a lamb. From the middle of the shaft of the cross issue two fleurets or leaves. As the lamb was the emblem of the order of the Temple, it is probable that the sarcophagus to which this coaped stone belonged, contained the dead body either of one of the Masters, or of one of the visitors-general of the Templars. Of the figures in the northernmost group of monumental effigies in the Temple Church, only two are cross-legged. The first figure on the south side of the row, which is straight-legged, holds a drawn sword in its right hand pointed towards the ground; the feet are supported by a leopard, and the cushion under the head is adorned with sculptured foliage and flowers. The third figure has the sword suspended on the right side, and the hands are joined in a devotional attitude upon the breast. The fourth has a spirited appearance. It represents a cross-legged warrior in the act of drawing a sword, whilst he is at the same time trampling a dragon under his feet. It is emblematical of the religious soldier conquering the enemies of the christian church. The next and last monumental effigy, which likewise has its legs crossed, is similar in dress and appearance to the others; the right arm reposes on the breast, and the left hand rests on the sword. These two last figures, which correspond in character, costume, and appearance, may perhaps be the monumental effigies of William and Gilbert Marshall, the two sons of the Protector.