The procession from the Temple to the palace of Whitehall was the most magnificent that had ever been seen in London. "One hundred gentlemen in very rich clothes, with scarce anything to be seen on them but gold and silver lace, were mounted on the best horses and the best furniture that the king's stable and the stables of all the noblemen in town could afford." Each gentleman had a page and two lacqueys in livery waiting by his horse's side. The lacqueys carried torches, and the page his master's cloak. "The richness of their apparel and furniture glittering by the light of innumerable torches, the motion and stirring of their mettled horses, and the many and gay liveries of their servants, but especially the personal beauty and gallantry of the handsome young gentlemen, made the most glorious and splendid show that ever was beheld in England." These gallant Templars were accompanied by the finest band of picked musicians that London could afford, and were followed by the _antimasque_ of beggars and cripples, who were mounted on "the poorest, leanest jades that could be gotten out of the dirt-carts." The habits and dresses of these cripples were most ingeniously arranged, and as the "gallant Inns of Court men" had their music, so also had the beggars and cripples. It consisted of _keys, tongs, and gridirons_, "snapping and yet playing in concert before them." After the beggars' antimasque came a band of pipes, whistles, and instruments, sounding notes like those of birds, of all sorts, in excellent harmony; and these ushered in "_the antimasque of birds_," which consisted of an owl in an ivy bush, with innumerable other birds in a cluster about the owl, gazing upon her. "These were little boys put into covers of the shape of those birds, rarely fitted, and sitting on small horses with footmen going by them with torches in their hands, and there were some besides to look unto the children, and these were very pleasant to the beholders." Then came a wild, harsh band of northern music, bagpipes, horns, &c., followed by the "_antimasque of projectors_," who were in turn succeeded by a string of chariots drawn by four horses abreast, filled with "gods and goddesses," and preceded by heathen priests. Then followed the chariots of the grand masquers drawn by four horses abreast. The chariots of the Inner and Middle Temple were silver and blue. The horses were covered to their heels with cloth of tissue, and their heads were adorned with huge plumes of blue and white feathers. "The torches and flaming flamboys borne by the side of each chariot made it seem lightsom as at noonday.... It was, indeed, a glorious spectacle."